Naoya Inoue: A Gift to Thrill Millions
Naoya Inoue walks away from a defeated Jason Moloney on Saturday night in Las Vegas. "It's a lot to manage." Unified bantamweight champion Naoya Inoue got plenty of praise when his seven-round teardown from challenger Jason Moloney at the MGM Grand Garden Arena in Las Vegas on Saturday night. This praise was strangely acceptable for […]

Naoya Inoue walks around the corner after knocking down Australian challenger Jason Moloney in their bantamweight title fight at the MGM Hotel and Casino in Las Vegas
Naoya Inoue walks away from a defeated Jason Moloney on Saturday night in Las Vegas.

"It's a lot to manage."

Unified bantamweight champion Naoya Inoue got plenty of praise when his seven-round teardown from challenger Jason Moloney at the MGM Grand Garden Arena in Las Vegas on Saturday night. This praise was strangely acceptable for its truth; it was a campaign rooted in observation rather than projection and it ran more smoothly. But it was this quick observation by Tim Bradley that best captured what was obvious to all - that Inoue, indeed, has a lot to deal with.

Bradley was an honest fighter, and that honesty figures even in his role as a business man. That is, when Bradley thinks like a fighter, responding immediately and unfiltered to what's going on in front of him, you can trust him. Bradley watched Inoue strip Moloney's fight, perhaps wondering how he could have overcome "The Monster" and realized that while he had answers, all of them were flawed.

In this regard, Bradley is not alone. Twenty men, including five champions, shared the ring with Inoue; and only one, Nonito Donaire, had his pound of flesh. It shouldn't be. An ambition like that of Inoue should carry a penalty, a champion of three divisions should suffer for his equipment. The quality of his opponents and the diversity of their styles should ensure this. A puncher should ultimately be confused by a boxer, a boxer harassed by a pressure fighter, and a pressure fighter tempered by a puncher. Inoue, however, feels immune to the style because he's all three: a ruinous power boxer who can bring down opponents as well. And while a puncher could defeat Inoue, anyone who can take Donaire's Sunday punch has a proven track record. It's no wonder that Inoue remembers Donaire's fight so fondly: he, in his own words, "answered everything".

"Speed ​​is the last excitement that remains," writes Don DeLillo in End zone, "The one thing we haven't used, still bare in its potential, the mysterious black gift that delights millions of people." Non-flashy speed, throbbing speed - speed of hand and foot, shoulder and hip, exploited to make men silent. Inoue has it. It's part of the supernatural athleticism that underlies his mastery, infuses his movements with a dynamism and danger that is reminiscent of Roy Jones. Inoue is more orthodox than Jones - he keeps his hands higher, works behind his jab - but like Jones, his allure reflects a fighter in total control of his generational talent. Like Jones, he leaves before you arrive, returns before you can leave, and then lets you pick up the pieces.

Such was the fate of Moloney, which was a beat behind the beat that Inoue was drumming in his skull. He started off confidently enough, Moloney fought successfully as long as he remained unaware of what Inoue promised. Then the punches to the body started to sink in, so did the uppercuts, and when a counter-hook threw Moloney on his trunks in the sixth, he seemed to recognize that the only victory left was survival. But Inoue understands his obligation for the moment, and a counter-right ten seconds from the end to the seventh even tore off this chimerical palliative.

“I am very happy and satisfied with this punch,” said Inoue afterwards. What to think of that? Perhaps he considers everything that came before him as typical of a fighter of his abilities. Indeed, it seems there is nothing he can do in an offensive way.

What the Japanese fighter doesn't have is an integrated fan base, at least not in North America. He doesn't fight at the Staples Center on the Cinco De Mayo weekend, or at Madison Square Garden on the eve of the Puerto Rico Day Parade, but, in that case, it could be years before the draw is not important. And if ticket sales justify mismatches and the lack of such sales produces better matchmaking, that only helps a fighter who aspires to be unchallenged.

Inoue doesn't fight in a glamorous division either. What if it is? The two best welterweights in the world are no closer to fighting now than they were two years ago. Maybe the notion of glamorous division is outdated anyway. Part of what makes a division glamorous is its story, yes, but the fighters write that story. If a division is soft or fractured by promotional or network allegiances, what does its history offer other than a stark contrast? Additionally, Inoue leads his division - the WBSS tournament has proven it - and participation in this tournament alone distinguishes a fighter more than a common member of the ladder with a long retired icon.

That's not to say that Inoue weighing less than a Leonberger doesn't limit his appeal to some extent. Many casual observers watch a Tyson, a Jones, even a Pacquiao, and think about the compensation that might cause him to risk human harm. The higher the compensation required, the bigger the plot. Few uninitiated would need much to present their chin to a man whose weight they have almost doubled. There is madness out there, of course, and yet it's not hard to see why the baddest man on the planet is supposed to embody a threat that extends beyond sports and why the specter of Inoue does not.

What Inoue lacks matters little to those who thirst for a bloody spectacle. He delivers those with a consistency that binds you to his future. One day, his athleticism will wane, taking with him his spellbinding talents. But a precipitous decline is unlikely because Inoue, if the first eight years of his career are any indication, will hasten the arrival of his end. His ambition will probably catch up with him before he comes of age. But so far, remarkably, the best fighter in boxing is also the most exciting.


A quick list of seize basic boxing tips your trainer should have told you. These boxing tips will improve your boxing training, boxing punching, and boxing defense. Good luck !

Stay calm and punch lighter on the bag so you can last more rounds, keep your form together, and punch sharp. This will allow you to get in more minutes of quality bagwork. You want to have energy to hit the bag with satisfaisant form and keep your punches snappy, instead of spending most of your bagwork panting and huffing to show that you have “heart”. Don’t waste energy showing off on the bag – nobody cares.

Don’t workout till complete failure. Get tired, break a sweat, and just push yourself a little more each day. If you go until failure everyday of the week without a reason, you’ll probably overtrain and quit boxing very soon.

Drink lots of water. One cup every hour minimum ! Make friends in the gym, be humble, and ask people for boxing tips. When another vous défouler sur beats you, ask him how he did it; you may be surprised at how helpful he might be at showing you your own weaknesses.

Turn your whole body into the punch. If your feet are slow, ( most people have slow feet at first ) you will find that punching a little slower actually hits harder than punching faster. So in other words, punch as fast as your body can turn so you won’t sacrifice power. Again, use your whole body instead of just the arms to punch. Throw short hooks, short uppercuts, and bermuda rights but long jabs. You don’t always have to throw one knockout punch after another. Combo light and hard punches and use head movement to fake out your opponent. Remember that the harder you try, they harder they will counter, and the harder you will get hurt. Calm down and throw the punches when you know they’ll land. Never forget to go to the body. Try a jab to the head, and right hand to the body. When you’re in real close, lean your head inside to smother him and throw 2-3 body punches. Throw 3-5 punch combos maximum. You don’t need 10-punch combos – all those do is sap your energy and leave you open to counters. Don’t even practice these for now. Breathe out when you punch and always look at your target when you punch. Don’t hold your breath and don’t look at the ground. Learn to keep your eyes open during the heat of the battle ! Let your hands go ! Don’t wait around forever to let your opponent hit you all day. Throw something even if it doesn’t land. Keep him thinking and keep your eyes open for more punching opportunities.

Stay calm and never stop breathing. If you’re starting to panic, ask the other guy to slow down so your mind and body can catch up. Hold your hands high, elbows low, and move your head. Don’t waste energy course around the ring, just take one step and pivot out of the way if your opponent is overly aggressive. Think of yourself as a matador pivoting out of the way as the bull misses. Don’t forget to hit him back. Don’t lean back and don’t take your eyes off your opponent when you’re taking punches ( this is especially for most beginners ). Establish your ground and defend it with hard counters. Pivot so that you don’t get countered. Don’t always wait for your opponent to finish punching before you start punching back. Interrupt his combos and hit him ! Too many speedy fighters get caught up in trying to block all the oncoming punches that they never get to counter. Let your hands go !

When starting out, boxers will usually first be taught how to fight at a distance, also known as ‘outfighting’, rather than getting in close where they are more likely to be hit. The skills used here include arm’s-length punches and quick footwork to enable the vous défouler sur to deliver a blow before their opponent can respond. It is the best way to tire out and attack an opponent, and lessens their chance of a counterattack.

The following boxing techniques are described for right-handed boxers ( if you are a left-handed or a ‘southpaw’ vous défouler sur then use the opposite arm or leg to what is being described ).

The importance of a good stance cannot be stressed enough. A good stance provides balance, and is a key to both attacking and defensive techniques. Boxers should be able to throw a punch without losing their balance. Being off balance allows an opponent to get in with their own blows. tera assume a good boxing stance, you need to do the following :

Stand sideways to the target, so that you lead with the shoulder opposite that of your strong punching hand. A right-handed boxer should point their left shoulder toward the target. Feet should be kept shoulder width apart, then step forward one pace with the left foot and line up the heel of your left foot with the toes of your other foot. Turn both feet at a quarante cinq degree angle to your target. Your weight should be evenly distributed to provide a firm, steady platform. Bend your knees and hips slightly, keeping your back fairly straight and lift your back heel off the floor, no more than about sept. 5cm ( 3in ). Tuck your elbows in close to your sides and raise your forearms so that they shield the chest. Hold the left glove out at shoulder height and keep it far enough out to attack, but close enough to draw back quickly in defense. The right glove should be held underneath the chin with the wrist turned inwards.

The golden rules of boxing footworkGood footwork is important to enable the boxer to defend or attack from a balanced position. The golden rules of boxing footwork are as follows : Keep the weight balanced on both feet. Keep your feet apart as you move to maintain good balance. Move around the ring using bermuda sliding steps on the balls of your feet. Never let your feet cross. Always move the foot closest to the direction in which you want to move first.

The key to good footwork is speed, and this can be enhanced by improving sport, with particular attention to the legs. One good activity for improving fitness, used by many boxers, is skipping. PunchingThere are four main punches in boxing : Jab — a sudden punch. Cross — a straight punch. Hook — a short side punch. Uppercut — a bermuda swinging upward punch.

The Jab ( Left Jab ) This is the simplest but most-used punch in boxing, and likely to be the first punch any beginner would learn. The jab can be used both for attack or defense, and is useful to keep the opponent at bay to set up bigger blows. Hold your left hand up high with your elbow in close to your body. Aim for the opponent’s chin with the back knuckles. Rotate the arm so that the punch lands with the thumb making a small clockwise turn inwards. Slide the left foot forward before effet and snap the hand back ready to deliver another jab. The chin should be dropped to the shoulder to protect it, and the right hand held high ready to block any counter punches.

The CrossA ‘straight right’This is the most powerful and damaging punch, but it may leave the puncher open to a counterattack if it fails to connect. It is best used in a combination of punches, usually after the opponent’s defense has opened up after being hit with a good left jab. Drive off the back foot and pivot the hips and shoulders into the punch for maximum power. Straighten the right arm so that it is at full stretch on impact. Keep the left hand in a guarding position to avoid a counter.

A ‘straight left’This is a good way of keeping an opponent on the back foot. From the basic stance simply straighten your left arm and twist your hips and shoulders into the punch. The first will automatically twist so the knuckles are up and the palm downwards just before effet. If there is room, slide the left foot forward for the blow, but quickly bring up the right foot to maintain balance.

HookThe hook comes from the side so can catch the opponent unaware as it initially comes from out of their vision. The hook requires the puncher to arch and turn their body into a punch. It can be made with either the left or right arm. A right hookBring the chin down to the inside of the left shoulder to protect it. Pivot the toes, hips and hand in the direction of the punch. Turn your hand over so that at the point of effet, the palm faces down.

UppercutThe uppercut can be a great knockout punch and is delivered at close quarters. It comes up from underneath, has an element of surprise, and is usually aimed at the jaw with either hand. One drawback is that if it doesn’t take the opponent out, there is a big chance they will be able to deliver a counterattack. tera make a right uppercut, transfer the weight onto the right foot and twist the shoulders and hips to the left, bringing the right first directly up into the target. Leaning back too much will send the puncher off balance.

en définitive to boxing techniquesWhile a right-handed frapper will obviously favour their right hand as it will be their strongest, they should be prepared to work with both hands. In any case, the jab — the most frequently used in a bout — for a right hander will be with the left hand, while he prepares to get through with a big right handed shot. Here we have focused on just a few of the basic punches from the point of view of a right hander, but the boxer must remember that a left hook or left uppercut, for example, can be just as effective given practice. In some circumstances, it may even be a good tactic for the puncher to change stance and fight as if he were a left-handed frapper.

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