Movies based on themes with gambling and casinos are entertaining and fun to watch. It is thrilling to see famous actors and actresses take on their opponents in a high stakes casino game and live the casino life. Most gambling movies cover a wide range of games ranging from poker, blackjack, slots, roulette and more. People who watch these movies and are actively interested in casinos should log into a real casino website to enjoy more such games. For people who live in countries that observe a strict policy of cracking down on casinos and gambling, these films give them a glimpse of a real casino environment and the fun of playing for great opportunities and games. silver. Different genres have covered casino themes. These themes are not only limited to Hollywood, but are produced in other parts of the world as well. Some movies invest a lot in the set design and build a replica of a real casino to create a very realistic look. But there are movies that shot the scenes of a real casino that people can visit. Since these films were shot in real locations, they add realism and authenticity to the storytelling. There are movies available for the interest of every player.
Martin Scorsese likes to play with the concepts of realism and authenticity in his films. His movie Casino, starring the great Robert De Niro, was shot at the Riveria Casino in Las Vegas. The film instantly became a favorite among gambling enthusiasts as it popularized the casino and the glamorous Las Vegas lifestyle. It is said that right after watching the movie, some people went to Las Vegas to get a glimpse of the casino. The elegant casino floor hosts different types of games that will make any gambling lover jump with joy and excitement. The 1995 thriller doesn't disappoint its viewers with the authentic casino look. The makers wanted everything to stay real, including casino customers. They wanted to make it as real as any real casino environment.
Vegas Vacation (1997)
It is a dream for every gamer to take a trip to Las Vegas and play at its best and famous casinos. Vegas Vacation is filmed in one of the best casinos in Las Vegas called The Mirage. The film is based on the gradual growth of the protagonist's passion and love for casinos. Chevy Chase who is the main protagonist develops a sudden inclination towards gambling and all that an exciting casino life has to offer. The movie does a good job of portraying the little details of the casino very well, including big hotels and VIP places. The casino floor hosting interesting tables and machine games will make any player want to visit the casino.
Ocean 11 (2001)
A set of formidable and talented actors including Brad Pitt, Matt Damon and Julia Roberts, Ocean's 11 is a must-have for all gambling enthusiasts. The film was shot at one of the most popular gambling sites, the Bellagio. The glitz and glamor of the casino makes the movie more attractive and elegant. It offers the viewer a glimpse of the casino where they will learn that the name Bellagio is inspired by a tiny helmet on Lake Como in Italy.
The Hangover (2009)
The hangover is a real laughing riot. The film shot some of its best scenes at a casino called Caesar's Palace located in Paradise, Nevada. Due to the popularity of the film, the casino has become a center of attention for all serious gaming enthusiasts. The casino is widely known for its wide range of games. The architecture is something to check. Upon entering the casino, visitors will think they have entered Rome. Even spectators who watch the film on the screens will literally be transported to Rome.
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The streaming media company is raising the prices on its standard and de haute gamme plans for etats du nord de l'amérique customers. Its standard plan is now $14 a month, up $1 a month from last year. Its premium subscription will go up $2 to $18 a month. Its basic plan remains unchanged at $9 a month.
Netflix’s ( NFLX ) stock rose 5% following the news. The new prices will take effect starting immediately for new members while current members will be notified that their subscription is going up as it rolls out over the next few months.
' We understand people have more entertainment choices than ever and we’re committed to delivering an even better experience for our members, ' a Netflix spokesperson said in a statement. ' We’re updating our prices so that we can continue to offer more variety of TV shows and films. '
The spokesperson added that Netflix offers ' a range of partouze so that people can pick a price that works best for their budget. '
Netflix’s price hike, which was first reported by The Verge, is not a huge surprise. Netflix spends billions on content, and this is a way to boost revenue as the ' outlook for subscriber growth is substantially slower in the future than the past, ' according to Bernie McTernan, a senior analyst at Rosenblatt Securities.
' The price increase was a matter of when not if, ' McTernan told CNN Business. ' It shows they think people will be willing to pay more for the service as the pandemic disrupts content fabrication thus making their vast library more valuable. '
The news comes a week the company posted slowing growth in new subscriptions and lower-than-expected profits. This came after Netflix had a huge 2020 because of people being stuck at home during the coronavirus pandemic. Netflix was asked about raising prices during its earnings call last week.
' The core model we have, and what we think really our responsibility and our travail is, is to take the money that our members give us every month and invest that as judiciously and as smartly as we can, ' Greg Peters, Netflix’s chief operating officer, said on the call. ' If we do that well... and make that efficiency and effectiveness better, we will deliver more value to our members, and we will occasionally go back and ask those members to pay a little bit more to keep that virtuous cycle of investment and value creation going. '
Netflix is the king of streaming and the moves it makes, especially in terms of cost to the consumer, reverberates throughout the market. For example, McTernan noted that Disney’s stock had a positive reaction following the announcement of Netflix’s pricing going up.
Patricia Highsmith’s lesbian romance novel “The Price of Salt, ” originally written under the pseudonym Claire Morgan, is sensitively and intelligently adapted by the director Todd Haynes into this companion to his earlier masterpiece “Far From Heaven. ” Cate Blanchett is smashing as a suburban ’50s housewife who finds herself so intoxicated by a bohemian shopgirl ( an enchanting Rooney Mara ) that she’s willing to risk her entire comfortable existence in order, just once, to follow her heart. Our critic said it’s “at once ardent and analytical, cerebral and swooning. ”
Jack Nicholson built one of his most iconic performances ( he plays the role with “such easy grace that it’s difficult to remember him in any other film, ” our critic wrote ), and won his first Oscar in the process, in Milos Forman’s adaptation of Ken Kesey’s novel. Nicholson had plenty of company; this is one of the few films to win all of the “big five” Academy Awards, including best picture, best director, best screenplay and best actress. Louise Fletcher won the last for her unforgettable turn as the steely Nurse Ratched, whose iron-fisted rule of a state esprit hospital is challenged by Nicholson’s free-spirited Randle Patrick McMurphy. Ratched was a memorable enough foe to spawn a Netflix origin series, but this is the genuine article.
The Oscar-winning Steven Soderbergh brings together a jaw-dropping ensemble — including George Clooney, Matt Damon, Brad Pitt, Andy Garcia, Don Cheadle, Bernie Mac and Julia Roberts — for this sly, funny remake of the 1960 “Rat Pack” caper, investing the new work with a “seismic jolt of enthusiasm. ” Soderbergh keeps the basic story ( a gang of con artists robs several Las Vegas casinos simultaneously ) and the “all-star cast” hook. But he also updates the story to acknowledge Sin City’s current, family-friendly aesthetic and invests the heist with enough unexpected twists and turns to keep audiences guessing. ( Pitt also shines in “Moneyball, ” another Netflix offering. )
The unlikely marriage of the screwball-inspired screenwriter Aaron Sorkin and the chilly visual stylist David Fincher birthed one of the finest works of both their careers, a “fleet, weirdly funny, exhilarating, alarming and fictionalized” account of the early days of Facebook and its founder, Mark Zuckerberg ( brought to hard-edge, sneering life by Jesse Eisenberg ). Sorkin’s ingenious, Oscar-winning script spins the Facebook origin story as a Silicon Valley “Citizen Kane, ” dazzlingly hopscotching through flashbacks and framing devices. But the ruthlessness of Fincher’s cleareyed direction is what brings the picture together, presciently framing Zuckerberg as the media mogul of the future — and hinting at the trouble that entails. ( Another Sorkin-scripted Silicon Valley bio-drama, “Steve Jobs, ” is also available on Netflix. )
This winking update to “The Scarlet Letter” has much to recommend it, including the witty and quotable screenplay, the sly indictments of bullying and rumor-mongering and the deep bench of supporting players. But “Easy A” is mostly memorable as the breakthrough of Emma Stone, an “irresistible presence” whose turn as a high-school cause célèbre quickly transformed her from a memorable supporting player to a soaring leading lady — and with good reason. She’s wise and wisecracking, quick with a quip but never less than convincing as a tortured teen.
Stanley Kubrick’s most controversial film, and perhaps his most disturbing ( neither a small claim ), was this 1971 adaptation of the cult novel by Anthony Burgess. Tracking the various misdeeds and attempted rehabilitation of a certified sociopath ( Malcolm McDowell, at his most charismatically chilling ), this is Kubrick at his most stylized, with the narrative’s hyperviolence cushioned by the striking cinematography, futuristic production style and jet-black humor. Our critic wrote that it “dazzles the senses and mind. ”
The director Yorgos Lanthimos casts a dryly absurd and decidedly dark eye on interpersonal relationships in this “startlingly funny” and undeniably acidic satire of courtship and the societal pressures tied to it. This isn’t some gentle spoof, snickering at gender roles or dating conventions : It’s bleak enough to imagine a couple-centered world where revolutionary movements fight unbendable mating regulations. Colin Farrell finds the right tempo for the material as a frustrated romantic in a state of perpetual disbelief, while Rachel Weisz’s hard-nosed narrator and love interest provides bursts of unexpected warmth and plenty of pitch-black laughs. ( Fore more misanthropic comedy, grosse bite up “The Death of Stalin” on Netflix. )
This freewheeling biopic from the director Craig Brewer ( “Hustle
“I’ve always wanted to be in the movies, ” Dick Johnson tells his daughter Kirsten, and he’s in luck — she makes them, documentaries mostly, dealing with the biggest questions of life and death. So they turn his struggle with Alzheimer’s and looming mortality into a movie, a “resonant and, in instants, profound” one ( per Manohla Dargis ), combining staged fake deaths and heavenly reunions with difficult familial interactions. He’s an affable fellow, warm and constantly chuckling, and a good sport, cheerfully playing along with these intricate, macabre ( and darkly funny ) scenarios. But it’s really a film about a father and daughter, and their lifelong closeness gives the picture an intimacy and openness uncommon even in the best documentaries. It’s joyful, and melancholy and moving, all at once.